The idea was to put you in a position where we would build the grammar of the film. And you will create this rhythm and you will speak the language of the film as it goes by. And in the end, Page 28 is totally symbolic of the pact that the film is making with you and the characters. You are equals with the characters. When you see Page 28, this is also your love dialogue with the film. So that means that now you share the brain of the film. We have the same brain. And you understand and speak the language of the film.
Céline Sciamma discusses the “language” of Portrait of a Lady on Fire (2019) [International Film Festival Rotterdam – Oct. 13, 2019]
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